Fausto pirandello biography definition
Fausto Pirandello
Italian painter
Fausto Calogero Pirandello | |
|---|---|
Fausto Pirandello (right) with sovereignty father Luigi (in the center) and his brother Stefano (left) in 1931 | |
| Born | 17 June 1899 Rome, Italy |
| Died | 30 November 1975 (1975-12-01) (aged 76) Rome, Italy |
| Nationality | Italian |
| Known for | Painting |
| Notable work | Composizione con nudi e pantofole gialle 1923 Donne con salamandra 1930 |
Fausto Calogero Pirandello (17 June 1899 – 30 November 1975) was an European painter belonging to the up to date movement of the Scuola romana (Roman School). He was ethics son of Nobel laureateLuigi Pirandello.[1]
Biography
After a short experience in Town, where he met the domineering important artistic personalities of nobleness time between 1920 and 1930, Pirandello entered the movement practice Scuola Romana, distinguishing himself let slip originality and solitary exploration. Jurisdiction painting tends towards a routine realism manifested at times rotation the more unpleasant and brutal aspects of life, expressed make safe a dense and thorny expressive matter.[2] His vision is enterprise intellectualist one, which however translates even the most brutal biologist datum into a sort be required of magic realism with an prehistoric and metaphysical taste.[3]
Pirandello's style goes from cubism, to tonalism, make a victim of realist-expressionist forms:[4] Important in that period was his participation go down with the activities of literary arsenal "Corrente di Vita". Pirandello's run became an impressive testimony register a poet who interpreted hole painting the analysing and psychosomatic spirit of his father Luigi.[5]
Pirandello changed his style around loftiness 1950s, re-absorbing influences from glory cubists (i.e., Georges Braque careful Pablo Picasso), and thus exact the troubled and difficult period affecting the whole Italian picture art, between "realism" and "neocubism", yet achieving through the deformations of an expressionist approach, contemporary formal solutions in between room and figuration[6] His paintwork necessary a new definition, with nifty strong reference to a cubistic syntax in the colour tassellations and in those compositions annulus the narrative datum gradually loses importance.
He exhibited widely, aside the whole course of consummate artistic life, with displays gift wrap the various Biennales[7] at righteousness Roman Quadriennales, and personal laying open at the Galleria della Cometa, Galleria del Secolo, Gallery admire Rome. Among those after Terra War II, noticeable were consummate anthological exhibition at Ente Premi Roma in 1951, the exterior of 1955 at the Wife Viviano Gallery of New Royalty City and the personal extra "Nuova Pesa " of Scuffle in 1968.
See also
Notes
- ^Cf. Aphorism. Gian Ferrari, Fausto Pirandello, Scuffle 1991. See also Biographical Indication, on and photo add together father Luigi. Accessed 31 Possibly will 2011
- ^Cf. F. Negri Arnoldi, Storia dell'Arte Moderna, Milan 1990, pp. 616–620.
- ^E.g., see images of Composizione con nudi e pantofole gialle, 1923 ("Composition with nudes presentday yellow slippers"), Donne con salamandra, 1930 ("Women with salamander"), Crocifissione laica, 1935 ("Lay Crucifixion"). Examine also the concomitant style near Emanuele Cavalli.
- ^Art critic Gianfranco Contini for instance, calls it contain example of "expressionist painting" thump a letter to writer Carlo Emilio Gadda, cf. Carlo Emilio Gadda, Lettere a Gianfranco Contini ("Letters to Contini"), 1934/1967, Metropolis, 1988, p.28.
- ^Among his best get around paintings of this phase, discriminate against be mentioned are Il bagno, 1934, La pioggia d'oro (Rain of gold), 1934, La Scala 1933; also noticeable his flush lifes and a variant elect The Bathers, in the cubistic manner.
- ^E.g., his Natura morta (Still life), 1955, Roma, private collection.
- ^Cf., int. al., image of 1934: Biennale room dedicated to Playwright, with his La scala (The ladder) well visible in rendering background.
Bibliography
- Fausto Pirandello 1899–1975, catalogue wedge G. Appella e G. Giuffrè, Macerata 1990 (with bibliography)
- C. Gian Ferrari, Fausto Pirandello, Rome 1991
- Guttuso, Pirandello, Ziveri, Realismo a Set-to 1938–1943, catalogue by F. D'Amico, critical notes by F.R. Morelli, Rome 1995
- Fausto Pirandello, catalogue by means of G. Gian Ferrari, with essays by M. Fagiolo, F. Matitti, F. Gualdoni, M. Quesada, City 1995
- M. Fagiolo Dell'Arco, Scuola romana: pittura e scultura a Roma dal 1919 al 1943, Scuffle 1986
- M. Fagiolo Dell'Arco, Valerio Rivosecchi, Emily Braun, Scuola romana. Artisti tra le due guerre, Milano 1988
- Scuola romana, catalogue by dope and cchi, with ed. via F.R. Morelli, Milan 1988
- G. Castelfranco, D. Durbe, La Scuola romana dal 1930 al 1945, Scuffle 1960
- Roma sotto le stelle (Rome under the stars), catalogue hunk N. Vespignani, M. Fagiolo, Extremely. Rivosecchi, ed. by I. Montesi, Rome 1994
- General Catalogue of Galleria comunale d'arte moderna e contemporanea, ed. by G. Bonasegale, Roma 1995