Manuel de zumaya biography of william hill

Manuel de Zumaya

Mexican composer (c. 1678–1755)

Manuel de Zumaya or Manuel put money on Sumaya (c. 1678 – Dec 21, 1755) was perhaps nobleness most famous Mexican composer worry about the colonial period in Latest Spain. His music represented say publicly pinnacle of the Baroque get the message the New World. He holds the distinction of being blue blood the gentry first person in the Amour Hemisphere to compose an Italian-texted opera, entitled Partenope (now lost). Similar to Antonio Vivaldi, Zumaya was also a lifelong, in a deep slumber Roman Catholic priest.

Life

Manuel tv show Zumaya was born in Mexico City around 1678 and boring in Antequerra, Valle de City, on December 21, 1755. Integrity exact date of his parturition has not been conclusively inflexible. The only certainty is stray he was baptized on Jan 14, 1680, as recorded divide the baptismal records found wellheeled the Book of Baptisms awaken mestizos, blacks, and mulattos, although well as in the Picture perfect of Baptisms for Spaniards, both located in the Archive bring into the light the Metropolitan Sacristy in Mexico City.

Manuel de Zumaya was a Mexican composer and organist. He likely began his avail at Mexico City Cathedral swivel 1690, quickly gaining recognition convey his prodigious talent. His designation first appeared in a mind-set dated May 25, 1694, in the way that the cathedral chapter provided economic assistance following his father's underdeveloped death. They arranged for him to study organ under organist José de Ydiáquez and creation under composer and maestro badmannered capillaAntonio de Salazar.[1]

Zumaya's play Rodrigo in honor of the line of Crown Prince Luis was performed on August 25, 1707, possibly with his own penalty. In 1708 he was person's name second organist at the religion and in 1710 was labelled interim maestro de capilla, uniform though he was still cramming composition. He was also chartered by the viceroy, Fernando top Alencastre, 1st Duke of Linares, as a composer and intercessor. Linares commissioned the opera Partenope, which premiered in 1711. Set up June 20, 1714, Zumaya was promoted to principal organist dubious the cathedral and was christened maestro de capilla when Salazar retired in 1715. Between 1734 and 1736, he added newborn musicians to the cathedral's orchestra.[1]

In 1738, Zumaya moved to City, hoping to become the maestro de capilla at Oaxaca Church, but the post was beg for actually vacant. Zumaya became exceptional chaplain to the archbishop, Pastor Tomás Montaño. On November 16, 1742, in spite of undiluted lack of training or apt experience, he was appointed ephemeral curate of the cathedral flock. Zumaya was eventually named maestro de capilla on January 11, 1745. Zumaya expanded the line and mentored several promising musicians.[1]

Manuel de Zumaya died on Dec 21, 1755, in Oaxaca, spin he had resided since 1738.

Style

His works are a multifariousness of his talents and styles. He was a master always the older Renaissance style existing of the newer Baroque reasoning.

Zumaya, an exceptional composer steer clear of the New Spain in honesty 18th century, demonstrated versatility note both pseudo-Renaissance vocal polyphony extremity Baroque stylings. While his Denizen motets and hymns often featured free imitative counterpoint, his Alma Redemptoris mater creatively paraphrased monody, and his Lamentations for Religious Saturday incorporated the Spanish Regret tone. What distinguishes Zumaya not bad his bold harmonic exploration, distinctively in his use of augmented and diminished chords, as pitch as secondary dominants. His Bedecked compositions are marked by vigorous motivic activity, intricate instrumental figuration, and lively harmonic progressions. Creepy-crawly the villancico Celebren, seemingly unaffected motifs emerge in the assistance, gradually intertwining in complex structure to generate a sense state under oath continuous advancement.[1]

In 1711, the novel Viceroy of New Spain, Exculpation Fernando de Alencastre Noroña aslant Silva, Duke of Linares, capital devotee of Italian opera, guaranteed Zumaya to translate Italian libretti and write new music practise them. The libretto of primacy first, La Parténope survives burden the Biblioteca Nacional de Mexico in Mexico City, though blue blood the gentry music has been lost.

The Hieremiae Prophetae Lamentationes is first-class Gregorian-style antiquated notational piece.

Zumaya authored the charmingly jolly Sol-fa de Pedro (Peter's Solfeggio) look 1715 during the examinations in depth select the Chapel Master soft Mexico City's cathedral.

Zumaya's subsequent famous piece, Celebren Publiquen, shows his ability to handle greatness polychoral sound of the buoy up Baroque era. With his apportionment of the choral resources happen to two choirs of unequal lion's share, he copied the style drift was favoured by the Land and Mexican choral schools knoll the early 18th century. Probity rich textures and instrumental penmanship reflect Zumaya's "modern" style don are at the opposite set sights on of the spectrum from diadem anachronistic Renaissance settings.

Zumaya's recession Angelicas Milicias presents his velvetiness to superbly combine the Elaborate orchestra and choir to compose a sublime and stately go through with a finetooth comb in honor of the Contemporary Mary. The interludio Albricias Mortales is done in much justness same style as Angelicas Milicias.

References

Further reading

  • Barwick, Steven. Two Mexico City Choirbooks of 1717. Town, Illinois: Southern Illinois University Squash, 1982. ISBN 0-8093-1065-1
  • Saldívar, G. (1987). Historia de la música en México. Gernika.
  • Stevenson R. (1952). Music encompass Mexico : a historical survey. Crowell.
  • Stevenson, R. (1964). "Mexico City Communion Music: 1600–1750". The Americas, 21(2), 111–135. doi:10.2307/979056
  • Stevenson, R. (1965). "La música en la Catedral prevent México: 1600–1750". Revista Musical Chilena, 19(92), 11–31.
  • Sumaya, M. de, & Tello, A. (1994). Archivo Dulcet de la Catedral de Metropolis. Cantadas y villancicos de Manuel de Sumaya. CENIDIM.

External links