Gorrioncillo pechiamarillo lola beltran biography
Born Maria Lucia Beltrán Alcayaga movie March 7, 1932, in Rosario, Sinaloa, Mexico; died on Walk 25, 1996, in Mexico City; married Alfredo Leal; children: single daughter, María Elena Leal. Education: Secretarial degree, 1950s.
Known for perfecting the art of the Mexican ranchera, a genre akin count up American country-and-western music, Lola Beltrán was perhaps Mexico's best-loved soloist. Upon her death in 1996, the entire country went smash into mourning, with her body hostile in state in Mexico Plug, her songs played endlessly expend the radio, and her melodic films shown back-to-back on television.
Beltrán, born Maria Lucia Beltrán Alcayaga, was raised in the agrestic town of Rosario, one loosen seven children of Maria from end to end Los Angeles Ruíz del Beltrán, a homemaker, and Pedro Beltrán Felix, a miner. As tidy child she sang at promote and in the church singers, where her director introduced their way to the romantic ballads emulate Pedro Infante and Agustin Lara. In 1953, after graduating shun secretarial school, Beltrán and afflict mother left Rosario for Mexico City, seeking to make elegant name for herself singing pulsate the tradition of the balladeers she admired.
Accounts vary as abrupt how Beltrán secured a disc contract in Mexico City, tho' it is clear that broadcast station XEW played a pressing role. According to The Improvement Guide to Tejano and District Mexican Music, Beltrán visited integrity radio station and pleaded adoration a chance to sing shrug the air. Rudely dismissed toddler the station executives, Tomás Méndez, a songwriter and singer rule the group Los Diamentes, fixed her an audition with honesty station manager, Amado C. Guzmán. While Guzmán did not now offer Beltrán her shot argue with stardom, he did hire grouping as his secretary. A twelvemonth later she won a contention to sing with Miguel Aceves Mejía on a weekly tranny program at XEW, an occasion that landed her a album contract and saw her known as Lola Beltrán. Soon thereafter, picture Discos Peerless label released squash up first single, containing two songs popularized by singer José Alfredo Jiménez, "Cuando el Destino" title "Por un Beso."
According to distinction New York Times, however, Beltrán pestered XEW regulars the Mariachi Vargas to let her complete with them on air. Once upon a time they relented, she so assumed station executives that she was awarded her own show. Either way, XEW was central inferior launching Beltrán's career, and she told the Times in ingenious 1988 interview, "Even now, at times time I go by rendering station, I make the strategy of the cross."
Beltrán's impassioned obvious tales of down-and-out, yet at long last redeemed, characters immediately captured distinction hearts of Mexican listeners deficient and rich, unknown and salient. Songwriters whose work helped sunny her famous included Méndez, Lara, Jiménez and Rubén Fuentes. "She had an impeccable sense send off for choosing material that was superb suited to her voice meticulous style and in which she could capture life's melancholy essence," the Billboard Guide noted. Incline your body the course of five decades, Beltrán released over 100 albums and starred in more more willingly than 50 films. Her most in favour singles included "Cucurrucucu Paloma," "Cielito Lindo," "Paloma Negra," "Si Nos Dejan," and "No Volveré." She became known colloquially as Lola la Grande, or Lola rank Great. Beltrán told the New York Times she saw ham-fisted difference between singing and deception. "Any good singer is even now an actress. If you're evidence things properly, you are jutting, and as you project, construct are feeling the drama person in charge emotion that pours out near you."
Despite her diva-like demeanor--Beltrán became known for her extravagant dresses and shawls, her fondness give reasons for furs and jewelry, and grand regal demeanor that earned complex a second nickname, "the Queen"--her tales of hardship and rescue resonated with Mexico's poor direct working-class residents. Beltrán also loving upper-class listeners around of rendering world, becoming the first ranchera singer to perform at rendering staid El Palacio de Bellas Artes in Mexico City, neat as a pin venue that had previously hosted only classical music events. She performed for numerous dignitaries splendid heads of state, and Land film director Pedro Almodóvar featured her rendition of "Soy infeliz" ("I am unhappy") in jurisdiction film Women on the Affect of a Nervous Breakdown.
Despite respite widespread appeal, Beltrán performed show the same manner for each one audience. "My lot in sure has been to sing, take I have been fortunate sufficiency to sing for Eisenhower, President, de Gaulle, the King homework Spain and the United Nations," she told the New Royalty Times in 1988. "But Crazed sing no differently for them than for that great lever whose affection for me hype like a fountain that in no way dries up."
Beltrán's sudden death make dirty March 25, 1996, following what has been called both fastidious stroke and a heart slant, shocked and saddened an broad nation. As testament to cook popularity, thousands flocked to allocation their respects both in Mexico City, where her body evolve in state at the Palacio de las Bellas Artes, alight in her hometown of Rosario. Radio stations played her songs all week and her motion pictures became fixtures on Mexican mash. Television shows were repeatedly ruptured with news of Beltrán's interment proceedings.
Beltrán's New York Times obituary described the singer beget the words of Mexican penny-a-liner Carlos Fuentes: "passion and yearning, joy and risk, tenderness queue the cry for existence lap up the wings of this poultry that is the voice govern our lady Lola Beltrán." Indweller singer Linda Ronstadt, who prerecorded several of Beltrán's songs rationalize her 1988 Spanish-language album Canciones de mi Padre, was quoted in the same article, proverb, "Singers don't come any ultra real than Lola Beltrán. She's a world-class singer, up concerning rubbing shoulders with Billie Saint's day and Edith Piaf."
In a 1988 New York Times interview Beltrán shed light on the unconnected she connected so deeply obey so many. "When I detect a song, I want kaput to tell me something," she said. "I want it do as you are told be well structured and in triumph proportioned. It can tell honourableness story of a great devotion or of a tremendous sobbing, but it has to fake emotion and truth. The concert has to make it benefit my while to sing it."
by Kristin Palm
Lola Beltrán's Career
Secretary at radio station XEW (Mexico City), 1953; made her revelation debut and soon changed waste away name; became popular both limit Mexico and internationally; recorded upset 100 albums and starred exertion more than 50 films; famed her fortieth anniversary as marvellous singer at the Palacio power las Bellas Artes, 1994.
Lola Beltrán's Awards
Received the Virginia Fabregas embellishment for 25 years of performing; awarded the Medalla del Artistica del Extranjero for representing Mexico, 1982.
Famous Works
- Selected discography
- La Grande Decorous Music, 1988.
- Lola Beltrán en Bellas Artes Vols. 1-3, Rodven, 1992.
- De Don Cruz Lizarrago TH, 1992.
- Lola Beltrán T.H. Rodven, 1994.
- Musica Mexicana con Lola la Grande Sony, 1994.
- Con la Banda de Recodo de Don Cruz Orfeon, 1995.
- Interpreta á Cornelio Sony, 1995.
- Ay Jalisco no te Rajes Warner Theme, 1995.
- Concierto en Vivo en Belles Artes (live), Vols. 1-2, Orfeon, 1995.
- Me Acordare de Ti Unmatched, 1995.
- Reina de ca Cancion Ranchera WEA, 1995.
- Mi Amigo Juan Gabriel Sony, 1995.
- Interpreta á Jose Alfredo Jimenez WEA, 1996.
- Homenaja á Lola Beltrán Orfeon, 1996.
- Interpreta á Jose Alfredo Orfeon, 1996.
- Interpreta á Juan Gabriel Orfeon, 1996.
- Por Siempre Juntos Peerless, 1996.
- (with Pedro Infante other Jorge Negrete) Tres Estrellas push back el Cielo Orfeon, 1996.
- (with Amalia Mendoza and Lucha Villa) Tres Senoras EMI, 1996.
- Emociones Musart, 1997.
- En el Olimpia de Paris Orfeon, 1997.
- Immortales del Cine Mexicano Orfeon, 1997.
- Tu Tierra Te Llora Orfeon, 1997.
- Consagradas de Lola Beltrán Orfeon, 2001.
- (with Enriquita Jimenez) Espectaculares to the rear Lola Beltrán y Enriquita Jimenez WEA, 2002.
- Canciones mas Bonitas RCA, 2003.
- Canciones y Haupangos Peerless, 2003.
- Lola la Grande RCA, 2003.
- Mexico Lindo Vols. 1-3, T.H. Rodven, 2003.
- 20 Temas Originals T.H. Rodven, 2003.
- Tesoros Mexicanos WEA, 2003.
Further Reading
Sources
Books- Burr, Ramiro, The Billboard Guide to Tejano and Regional Mexican Music, Abetting Books, 1999.
- Vernoff, Edward, and Rima Shore, Penguin International Dictionary bad deal Contemporary Biography from 1900 rant the Present, Viking Penguin, 2001.
- Women in World History, Yorkin, 1999-2002.
- Independent, April 4, 1996.
- New Dynasty Times, January 10, 1988; Amble 26. 1996.
- "Lola Beltrán," All Concerto Guide (March 3, 2004)
- "Lola Beltrán," MariachiWeb, (March 3, 2004)
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