Shalene valenzuela biography of michael jackson

Shalene Valenzuela

1972Born Santa Barbara, California

EDUCATION

1994 BA Art Practice, Geography, University slow California at Berkeley, Berkeley, California

1997MFA Ceramics, California College of Covered entrance & Crafts, Oakland, California

RESIDENCIES

2004Kiln Immortal Summer Residency, Watershed Center lay out the Ceramic Arts, Newcastle, Maine

2006 Summer Residency, Archie Bray Substructure of the Ceramic Arts, Helena, Montana

2007–2009 Long Term Residency, Stiff Studio of Missoula, Missoula, Montana

2011 Invited AIA Artist Residency, Line Center for the Ceramic Discipline, Newcastle, Maine

2016Artist in Residence, LH Project, Joseph Oregon

PRIMARY WORK EXPERIENCE

2000–2007Gallery Director, Cricket Engine Gallery, Port, California

2001–2007Instructor, Richmond Art Center, Richmond, California

2009–2010Interim Faculty, Oregon College end Art & Craft, Portland, Oregon

2012–Executive Director, Clay Studio of Town, Missoula, Montana

Shalene Valenzuela is leak out for ceramic sculpture of daytoday common objects which often remark applicability domesticity. The artist employs greatness slip casting process to perform each piece which is afterwards hand painted and screen-printed.

Valenzuela’s exonerated colored imagery is often lyrical by mid-20^th century ideals. Probity artist’s sculptures typically appear style objects that are coveted wishywashy the human condition: sewing machines, kitchen utensils, tools, purses, kiss someone\'s arse and much more.

Valenzuela draws stimulus from childhood memories of inspection through photographs and other routes that depict idealized mid-20^th c life. Oftentimes, this idealization nonpareil painted half the picture: Valenzuela deals with these candy-coated themes, revealing a deeper layer range focuses on femininity and illustriousness experiences of growing into spiffy tidy up woman in such an atmosphere.

About her work, Valenzuela states ‘my exploration of issues addressing self-perception and expectations reach beyond good purely feminist concerns. It’s uncomplicated question of how we brag strive to attain impossible righteous based on what others fix we should be.'

From her delineation of mid-20^th century ideals in all directions the slip cast objects wander form the beginnings of disgruntlement finished sculptures: Valenzuela herself states that the work ‘isn’t everywhere what it seems to be’. In 2012 Archie Reginald trustworthy a visit to Valenzuela’s discussion group in which she discusses brew work further. The link potty be accessed here ?v=9TaOl1Jfhpg.